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In recent months, Stout’s work has been acquired by collectors in Dubai, London, Paris, Hong Kong, and Miami, reflecting a growing demand beyond his established New York City base. Several large-scale metallic prints and sculptural pieces have entered private collections, with prices ranging into the six-figure range. International inquiries for his limited-edition works and upcoming exhibitions continue to increase, according to representatives of the artist.
Highlighting this momentum, Marko Stout’s recent solo exhibition at Mriya Gallery in New York City sold out entirely, drawing both critical and commercial attention. All metallic print artworks featured in the show were sold, with prices ranging between $40,000 and $80,000. A signature metallic gold female torso sculpture drew significant interest and was acquired by a private collector based in Dubai for $315,000. The transaction marks one of the most notable sales from the exhibition, contributing to the event’s strong overall performance.
Stout’s visual language blends pop surrealism with contemporary commentary, resonating with a new generation of collectors interested in art that reflects both cultural relevance and aesthetic impact. His signature series—including Faceless in Gold and Empire of Excess—have drawn attention for their ability to merge luxury and critique in equal measure.
Art market observers note that Stout’s presence is expanding across major luxury markets, with curated showings and gallery placements planned in multiple international cities over the coming year. His recent commercial success further reinforces his position as a rising figure in the contemporary art market.
With a background in both fine art and media, Stout has been featured in publications such as Rolling Stone, Architectural Digest, Variety, and Us Weekly, and continues to maintain a strong presence in the contemporary art conversation.
Jason Ross
Studio Eleven Media
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